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Plague and Locusts: Sean Christopher Dwyer

As video art is situated on the cusp of art and technology, it is not always easy to separate it from film making or performance. The fluid boundaries include an innumerable variety of short form moving image work from abstract visuals to fictional narratives with everything in-between. Responding to Ephemereye’s artist

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The “theta” or “performing with God”.

Dr Magdalena Papanikolopoulou is a Greek performance artist and a lecturer in Fine Art at the University of West Attica.   Dedicated to Margaret Talbot   As a Greek performance artist working with symbols during the period 2011- 2015, I chose to give life to certain symbols specifically to the

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Where Arts Meet

A tribute to art and technology, early film, and contemporary video art, Moving Silently is a festival of ideas. How does technology assist in giving birth to new art forms? What is the connection between historical and contemporary moving images? Can video cameras, being as widely accessible as crayons, be the most

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Venice 2019: Altering Perspective

Manifesto of Presentism, art action. Piazza di San Marco. 9 May, 2019. One of the events of the 2019 Venice Biennale went largely unnoticed. Apart from a few hundred city visitors that happened to find themselves at the Piazza di San Marco on the late morning of May 9, and

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Empire II in Oaxaca, Mexico.

Taking part in the EMPIRE II multi-artist video project curated by Vanya Balogh was a two year journey through work, cities, and unexpected encounters. The exhibition stopped for the last showing at MACO, a Contemporary Art Museum in Oaxaca, Mexico. Oaxaca landing © Photo © Veronica Shimanovskaya I arrived just

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