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5'37", video, color, digital, sound, 2020 Bilaterians are animals with two-sided symmetry, i.e, having a left and a right side that are mirror images of each other. This notion of symmetry is explored in the worms that Duboutay has been working on. On the dialectic of the worm video, Duboutay tries to diffuse some of the anthropocentric binarism that inevitably happens while working with other living organisms that aren’t human. - Valeria Montoya
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This audiovisual project is developed by the need to continue creating during the state of confinement that occurred in Madrid during Covid-19. He tries to translate the company's staged and choreographic composition into a new format, transforming the domestic space into staging. With this proposal we want to transform the state of seclusion into visual poetry and give hope to the viewer In this proposal we try to work on performance, dance and theater, elaborating synergies with the audiovisual element. We try to find a way in which the performative does not lose its essence by becoming digital, experimenting with the limits of the spatial context and technological resources Creation inervo art Dance and dramturgy carlotta storelli Camara and director Javier Arocena Film maker and music Laila White
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I created this one-minute piece in response to a combination of 1) a feeling of isolation during quarantine and 2) the understanding that I am, despite this feeling, inextricably networked with others in ways that are mostly out of my control. On one level, my idea was to depict myself as an unconscious participant in a system of capital exchange while also suggesting that I am a conscious product of that exchange. Are my thoughts my own? Does even subjectivity have an exchange rate? On another level, I wanted to enlist viewers in a process of visual consumption: a cannibalistic meal of eye candy. After each payment, the viewer may devour a new representation of a different modern complex. Bon Appétit . . . .
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In the past century we have seen a shifting in the picture of traditional family. The onset of COVID has furthered this shift as the job market becomes more uncertain and we see more families adopting a post-nuclear family structure. Honey I'm Home, examines this shift by challenging gender roles and flipping traditional notions on their heads.
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"MAÑANA ESTARà BIEN" de Gianfranco Copello - Exposición Virtual INTERCESIÓN RESONANTE 2020 Videoarte (picdove.com)Propuesta de Gianfranco Copello @gianpocopello , productor del colectivo audio-visual Pitch Project, esta muestra lleva por nombre “Mañana estará bien†es el primer álbum de estudio de Copello. Siendo los temas canciones que convergen entre el downtempo, triphop y alternative rock. Fueron grabadas y mezcladas en un DAW (Digital audio Workstation); usando únicamente instrumentos de cuerda, drum machines y Samples de armonÃas. Tras la realización de estas piezas está la sensación que se desea plasmar en la mente del espectador mediante las texturas sonoras, esta idea es fundamental para la elaboración y selección del Visual Art que acompaña cada pieza. Motivado por el confinamiento y aislamiento social a nivel global en el 2020, Copello arregló, grabó y produjo 9 temas cargados de emoción y sensaciones variadas que crean un ambiente tranquilo y relajante musicalmente. Siendo la mezcla entre las texturas sonoras con el color y la abstracción de los elementos visuales recurso indispensable para alcanzar este efecto. “INTERCESIÓN RESONANTEâ€, bajo la CuradurÃa de Jimmy Yánez International Official Curator & Museographer @jimmyyanez_4759 y la producción de Pitch Project @projectpitch Cada sábado, desde el 31 de octubre al 28 de noviembre de 2020, la música, el arte, y los sentidos se mezclarán en la notas de estos exponentes de la música en el marco de los 50 años del Teatro Bellas Artes, Ateneo de Maracaibo, y estamos seguros que no pueden perderse estos conciertos
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From Warhol to Steve McQueen: a history of video art in 30 works | Art and design | The Guardian (picdove.com)
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Improvisational performance by Johanna Yukiko Haneda & Maksim Velichkin Creating stories inspired by the improvisational performance. Painting is always in the room, so she couldn't walk into a room, she is already there. She sings as she feels. IMDb link https://www.imdb.com/title/tt13003702/?ref_=fn_al_tt_1
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Hi. This is Johanna Yukiko Haneda . Here is a link of the video Train Nocturne from Heartbeat Ink. Youtube link https://youtu.be/K_Phjgl4UQs *Heartbeat Ink * Creating stories inspired by the improvisational performance. Painting is always in the room, so she couldn't walk into a room, she is already there. She sings as she feels. IMDb link https://www.imdb.com/title/tt13003702/?ref_=fn_al_tt_1 I myself am a first-generation immigrant to the USA. What I see and experience in Los Angeles, there is so much to say, but at the same time, it's hard to find the right words. Especially in 2020. In the style of underground theatre, how we express in music and visual images will describe more than thousands of words. *Johanna Yukiko Haneda * Debut as a recording artist with her album in 1988 from Sony Records Worked with an All-stars creative team such as David Foster, Joel Dorn, Duet with PAUL ANKA, and more. Relocated to Los Angeles from Japan in 2011. Established own performance style, improvisational vocal style of creating momentum music with Zen meditation healing property. Influenced by Japanese Traditional Noh, SHIMAI and UTAI ( Dance and Singing), and Portuguese music Thank you for the time to review my submission. Best regards, Johanna Yukiko Haneda