Copyright License Agreement (Artwork)

This Copyright License Agreement (the “Agreement”) is entered into as of today’s date (the “Effective Date”) by and between EPHERMEREYE, a California Limited Liability Company with offices located 164 Robles Way, Vallejo, CA 94591, United States (the “Company”), and artist submitting work to Ephemereye.com (the “Licensor”), and together with Company, each a “Party” and collectively the “Parties”).

RECITALS

WHEREAS, the Licensor [solely and exclusively] owns and controls the rights in a certain work s(he) is submitting to ephemereye.com (the “Artwork”) and wishes to grant to Company a license under those rights, and Company wishes to obtain a license to take photograph or use still image (“Image[s]”) for the uses and purposes described herein, each on the terms and conditions set forth in this Agreement. Company holds art show events and online presence (“Event”) and wishes to provide Licensor right to display Licensor’s Artwork in the Event. NOW, THEREFORE, in consideration of the mutual covenants, terms, and conditions set forth herein, and for other good and valuable consideration, the receipt and sufficiency of which are hereby acknowledged, the parties agree as follows:
  1. License.
    1. Grant of Rights. Licensor hereby grants to Company, during the Term of the live exhibition, as well as for the inclusion in ephemereye.com online collection the nonexclusive right and license [throughout (the United States, its territories and possessions, as well as online) to use a limited number of the Image[s] in MP4, JPG and PNG and other relevant formats for purposes of documenting, advertising, promoting, marketing, and otherwise exposition Services, including without limitation, in, as part of, or in connection with or as part of Company’s trade name, advertising, promotional, or marketing of or for such services (“Services”).
      For purposes of clarity and without limiting the foregoing, Licensor acknowledges and agrees that the rights and license granted to Company under this Agreement include Company’s rights: (a) to edit, to combine with other materials, including, but not limited to, in combination or conjunction with Licensor’s name, include in collective works, and create derivative works of the Image[s] in whole or in part (collectively, “Adapt”, “Adapted”, and “Adaptation” have correlative meanings); and (b) to reproduce, perform (publicly or otherwise), display (publicly or otherwise) and transmit the Image[s], in whole or in part, as provided by Licensor or as Adapted for such purposes and uses as are permitted under this Section 1.1.
    2. Waiver of Moral Rights. Licensor, hereby, knowingly, voluntarily, and irrevocably waives/has obtained, in the attached Exhibit A, [the knowing, voluntary, and irrevocable written waiver by all creator[s] of the Image[s] of all rights of attribution and integrity and any other rights in or to the Image[s] arising under Section 106A of the Copyright Act, 17 U.S.C. § 106A, or under any other applicable law of the United States or any state, country, or other jurisdiction that acknowledges or confers rights of the same or similar nature (collectively, “Moral Rights”). To the extent this waiver is not permitted by applicable law, Licensor hereby [agrees/has obtained, in the attached Exhibit A, written agreements binding all holders of such Moral Rights] not to enforce] such Moral Rights against Licensee or any individuals or entities acting on behalf of Licensee or permitted to receive copies of the Image[s] under this Agreement (collectively, “Company Parties”).
    3. Other Company’s Rights. Company shall have the rights (a) not to use or exploit the Image[s] and (b) to exercise its rights under this license through any of its employees, agents, and independent contractors.
  2. Licensor Obligations. Licensor shall:
    (a) grant Company the right to take Images of Artwork, pursuant to the rights granted under this agreement, at the time of or before the event in which Licensor’s artwork will be displayed and keep [each of] the Image[s] in [the format(s) and on or via the media selected by company;
    (b) 24 hours before the start of the event arranged by Company for the display of Licensor’s artwork, obtain from all persons who are, or whose trademark or other property is, identified, depicted, or otherwise referred to in any such artwork of which Company will take Image, such written and signed licenses, permissions, waivers, and consents (collectively, “Permission”) including those relating to publicity and privacy, as are or reasonably may be expected to be necessary for Licensee to exercise its rights in the Image[s], including all intellectual property rights therein, without incurring any payment or other obligation to, or otherwise violating any right of, any such person; and
    (c) prior to the start of the event arranged by Company for the display of Licensor’s Artwork, provide Company with an executed original or copy of each such fully-executed Permission.
  3. Company’s Obligations. Company shall:
    (a) provide a space for the display of Artwork during the Event;
    (b) not be obligated to provide the space to display an Artwork during the Event if Artwork does not comply with the State or Federal Laws, and/ or the criteria for such Artwork as agreed upon by both Licensor and Company.
  4. Ownership.
    (a) Licensor will own and retain all right, title, and interest in and to the Artwork, subject to the license granted in Section 1.1. Company will own and retain all right, title and interest in and to all Adaptations of the Artwork[s] made by, or by any third party for the benefit of Company, subject to Licensor’s rights in the underlying Artwork[s].
    (b) Use of Licensor’s Name, Likeness, and Information. Licensor hereby grants to Licensee the right to use Licensor’s name, image, likeness, and biographical and professional information [(including information Licensor provides to Company and any other information about Licensor that is publicly available)/provided by Licensor from time to time] in connection with the Image[s] and any Adaptations[, including to advertise and promote the same or any good or service that features or includes [at least one of] the Image[s], in whole or in part, as provided by Licensor unmodified or as Adapted].
  5. Consideration.
    (a) Subject to Section 5(b) and in full consideration of Licensor’s timely grant of the rights and license hereunder, Company will provide Licensor a physical space to display Licensor’s Artwork without charge, hold and advertise for Event in which Licensor’s Artwork is to be placed.
    (b) Company is not obligated to place Licensor’s artwork if Licensor does not perform its obligations described hereunder.
  6. Attribution and Copyright Notice. Company shall have the right, but not the obligation, to provide Licensor with the following source attribution of each Image, including any applicable copyright or trademark notice, in connection with any publication of such Image, provided, however, that Company shall have no obligation to provide such attribution where, in Company’s reasonable judgment, space does not reasonably permit such attribution or such attribution would be commercially disadvantageous, physically impractical, or contrary to custom or applicable law:
    Attribution: [NAME OF COPYRIGHT OWNER] [NAME OF THE ARTWORK] when applicable, [YEAR] when indicated by Licensor.
    Placement: [In the lower right corner of video footage, or it the caption on the still image].
  7. Representations and Warranties.
    1. Mutual Representations and Warranties. Each party represents and warrants that it has the full right, power, and authority to enter into, perform, and grant the rights and licenses it grants and is required to grant under, this Agreement
    2. Licensor Representations and Warranties. By providing the license to Company, Licensor hereby represents and warrants that:
      (a) the Artwork is the [Licensor/CREATOR]’s sole and original creation;
      (b) the Artwork does not, including its use thereof as permitted hereunder, and will not, violate any law or regulation or infringe or otherwise violate any right of any third party, including, but not limited to, any copyright, trademark, patent, trade secret or other intellectual property right, any right against defamation, or any right of publicity or privacy[, provided that this representation and warranty shall not apply to (i) any modified Image the creation or use of which is not permitted under this Agreement or (ii) any Image modified by or on behalf of Company as permitted hereunder where such violation or infringement would not have arisen from the faithful reproduction or use of such Image as provided by Licensor.
    3. Company Representations and Warranties. Company hereby represents and warrants that Company will not use the Image[s] in any manner that:
      (a) causes any Artwork that is not defamatory, obscene, or otherwise unlawful or injurious as provided by Licensor to become defamatory, obscene, or otherwise unlawful or injurious when it is adapted; [or]
      (b) suggests sponsorship of or by, or association with, any third party; [or]
      (c) competes with or is detrimental to the licensor].
  8. Indemnification. Licensor shall indemnify, defend and hold harmless Company, and its respective officers, directors, employees, agents, affiliates, successors and assigns, from and against any claims, judgments, damages, liabilities, settlements, losses, costs and expenses, including attorneys’ fees and disbursements arising from or relating to any breach by Licensor of its representations, warranties or other obligations hereunder.
  9. Term and Termination
    1. [Term. This Agreement is effective from the Effective Date of signing until terminated on written notice by either party in accordance with the terms of this agreement] ([such period, as may be renewed in accordance with the following sentence,] the ”Term”). The parties may renew this Agreement for additional one year periods, by written agreement[, which may include email].]
    2. Termination.
      (a) Company may terminate this Agreement at any time without cause, and without incurring any additional obligation, liability, or penalty, by providing at least [NUMBER] days’ prior written notice to Licensor.
      (b) Either party may terminate this Agreement on written notice to the other party if the other party materially breaches this Agreement and fails to cure such breach within [NUMBER] days after receiving written notice thereof
    3. Effect of Termination. Upon the expiration or termination of this Agreement[: (a)] all rights licensed under this Agreement revert to Licensor and Company shall within [NUMBER] days after such expiration or termination (”Wind-Down Period”) cause to be inactivated and erased all digital copies of the Image[s] in its control and possession and return or, at Licensor’s written request, destroy, any print or other tangible copies of the images, provided, however, that (i) Company may retain one archived copy of [each of] the Image[s] solely for purposes of responding to claims or inquiries relating to the Image[s] and (ii) during the Wind-Down Period, Company may continue to commercially exploit the Image[s] in accordance with the terms and conditions of its license hereunder.
  10. Miscellaneous.
    1. Relationship of the Parties. The relationship between the Licensor and Company is that of independent contractors. Nothing contained in this Agreement shall be construed as creating any agency, partnership, joint venture, or other form of joint enterprise, employment, or fiduciary relationship between the parties, and neither party shall have authority to contract for or bind the other party in any manner whatsoever.
    2. Assignment. This Agreement is personal to Licensor. Licensor shall not assign or otherwise transfer any of its rights, or delegate, subcontract, or otherwise transfer any of its obligations or performance, under this Agreement. Any purported assignment, delegation, or transfer in violation of this Section 10.2 is void. Company may freely assign or otherwise transfer all or any of its rights, or delegate or otherwise transfer all or any of its obligations or performance, under this Agreement. This Agreement is binding upon and inures to the benefit of the parties hereto and their respective permitted successors and assigns.
    3. Amendment and Modification; Waiver. This Agreement may only be amended, modified, or supplemented by an agreement in writing signed by the parties. No waiver by either party of any of the provisions hereof shall be effective unless expressly set forth in writing signed by the waiving party, nor shall the waiver of any single or partial exercise of any right, remedy, power, or privilege hereunder preclude any other or further exercise thereof or the exercise of any other right, remedy, power, or privilege.
    4. Severability. If any part of this Agreement is invalid, illegal, or unenforceable in any jurisdiction it shall not affect any other part of this Agreement or invalidate or render unenforceable such part in any other jurisdiction.
    5. Governing Law; Submission to Jurisdiction. This Agreement shall be governed by and construed in accordance with the internal laws of the State of California without giving effect to any choice or conflict of law provision or rule. Each party irrevocably submits to the exclusive jurisdiction of the federal and state courts United States or the courts of the State of California in any legal suit, action or proceeding arising out of or related to this Agreement or any Image[s].
    6. Entire Agreement. This Agreement constitutes the entire agreement of the parties with respect to the subject matter contained herein, and supersedes all prior and contemporaneous understandings and agreements, whether written or oral, with respect to such subject matter.
I have read, understood and consent to the language and authorizations outlined in Ephemereye's ESIGN Act Consent, Privacy Policy, Terms of Use and Arbitration Agreement. We recommend that you retain a copy for your reference
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    video Submission Johanna Yukiko Haneda (picdove.com)
    Hi. This is Johanna Yukiko Haneda . Here is a link of the video Train Nocturne from Heartbeat Ink. Youtube link https://youtu.be/K_Phjgl4UQs *Heartbeat Ink * Creating stories inspired by the improvisational performance. Painting is always in the room, so she couldn't walk into a room, she is already there. She sings as she feels. IMDb link https://www.imdb.com/title/tt13003702/?ref_=fn_al_tt_1 I myself am a first-generation immigrant to the USA. What I see and experience in Los Angeles, there is so much to say, but at the same time, it's hard to find the right words. Especially in 2020. In the style of underground theatre, how we express in music and visual images will describe more than thousands of words. *Johanna Yukiko Haneda * Debut as a recording artist with her album in 1988 from Sony Records Worked with an All-stars creative team such as David Foster, Joel Dorn, Duet with PAUL ANKA, and more. Relocated to Los Angeles from Japan in 2011. Established own performance style, improvisational vocal style of creating momentum music with Zen meditation healing property. Influenced by Japanese Traditional Noh, SHIMAI and UTAI ( Dance and Singing), and Portuguese music Thank you for the time to review my submission. Best regards, Johanna Yukiko Haneda
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    Y&I Changing All The Time (picdove.com)
    To break the monotony of working from home, Brener and Imara seek the perfect time to party online. They debate sunrise, sunset, choreography and communication at a 3000 mile distance. Fairy lights, window dressings, and wooden floors feature as extras in this ode to an online celebration. Filmed via Zoom in London and New York.
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    Day after day after day after day after day (picdove.com)
    This is the first video of my series Dystopia: The Humanity of a Modern Pandemic. My name is Leslie Mauldin, and I am a sculpture and intermedia artist, as well as an MFA candidate at Texas Woman's University. At the start of quarantine, in April of 2020, each day blurred into the next, with many unknowns as to what would happen with COVID-19. The sculpture itself is isolated in a dark and unknown environment, just as I felt isolated in my small apartment. The sounds I designed represent the ominous emotions I felt around the time of April 2020.
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    The Grown-ups Are Talking. (picdove.com)
    Video Installation 2020
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    Terry Flaxton | Cloud Sculptures Over the Atacama Desert | Sedition (picdove.com)
    Cloud Sculptures is one of an occasional series of works within Terry Flaxton’s Personal Fictions where the overriding influence is from Jorge Luis...
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    Sometimes (picdove.com)
    A poetic video about dreaming... Sometimes you want to sleep and just flee to an unknown land
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    Mrs. Moon's Dream Machine (picdove.com)
    Lost in the woods by a dark night, Mrs. Moon, half asleep, meets the dream machine... Video & Sound Design © Pierre Ajavon 2019 Screenings : - 2020 - Buskopolis Festival of Cinematic Oddities - Huntingdon, Pennsylvania // USA - 2019 - North Bellarine Film Festival - Portarlington Australia
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    Video Art | Return 2020 | SASCA Dammam (picdove.com)
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    David Hockney video installation (picdove.com)
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    Four Artists on the Future of Video Art - The New York Times (picdove.com)
    Hito Steyerl, Rachel Rose, Isaac Julien and Lynn Hershman Leeson talk about how they’ve been spending quarantine and just where, in this era of never-ending screen time, their work should live.
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    Curtains and a baby (picdove.com)
    Like a small baby is curious to all new things, a human being is born to want to see what is on the other side of "curtains", obstacles.
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    RESET London (picdove.com)
    Anna Marie Urik is a photographer and filmmaker based in London.
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    Faded (picdove.com)
    Faded, is a short film about the elusive idea of love, and the long-lasting effects it has on us when it suddenly and without explanation, ends.
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    My name is Sami (picdove.com)
    Daniela Lucato is an Italian filmmaker based in Berlin. This video was made during lockdown and finished on 25th April 2020. It is a reflection about domestic violence, human rights and woman condition in all countries. I was inspired by a personal involvement: an old friend I met by chance after a long time told me the abuse she was victim of from her husband. She thought it was painful but she accepted it as a normal condition. I was shocked and I told her she needed to contact the police. Later I couldn't reach her anymore because she moved to another city. I thought about this short talk we had for a long time. I really think the way she accepted this abuse, thinking it was normal, is a huge issue for many women. This is something that needs to be changed. This topic is for me really important and the work “My name is Sami”is a studio for a bigger project. I feel a responsibility as a woman artist to make people think about it, to confront themselves with this item. I don’t know if it will help to resolve the problem, but this is a start to fight it.
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    Why Video Art Is Having a Moment - Artsy (picdove.com)
    Video art represents some of today’s most exciting contemporary work thanks to artists’ ambitions, support from galleries and museums, and a growing market.
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    La Biennale di Venezia - Le muse inquiete. La Biennale di fronte alla storia - Presentazione | Facebook (picdove.com)
    Il Presidente Roberto Cicutto e tutti i Direttori dei sei Settori Artistici, Cecilia Alemani, Alberto Barbera, Ivan Fedele, Marie Chouinard, Antonio...
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    Curtains and sky (picdove.com)
    In a living room. Watching the sun set through the curtains.
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    angel child. (picdove.com)
    pain in desire and loss.
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    mama. (picdove.com)
    a story of wanting desire.
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    See Arthur Jafa's powerful 'Love is the Message, the Message is Death' video for free on Smithsonian and other websites - The Washington Post (picdove.com)
    Arthur Jafa's 'Love is the Message, the Message is Death' expresses 100 years of the black experience in just seven minutes, with help from Kanye West.
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    Timo Kahlen : Holding My Breath, 2020 on Vimeo (picdove.com)
    March 2020. Holding My Breath Recorded in the artist's studio in Berlin / Germany From the series of "Works with Wind", 1989 - 2020 HD video (short…
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    POINTS OF VIEW 3 acts (picdove.com)
    A video that focuses on the same piece of furniture set within various scenarios, to echo different situations and states of mind during lockdown. Act 1 plays with the realm of the surreal, combining different perspectives and sounds. A reflection on the boundaries between inside and outside. Act 2 builds up image density within a spatially minimal context. A distilled reflection on the draw of physical activity in the natural environment. Act 3 presents a dreamlike atmosphere of space and scale in flux. A meditative reflection on absence and presence within a single object.
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    ECHOES OF DIFFICULT CONVERSATIONS DURING LOCKDOWN (picdove.com)
    An art film exploring my own past uncomfortable conversations with people in a time when socialising is impossible. We all crave intimacy with others despite how painful they can be and I think that’s what it means to be human.
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    Roots (picdove.com)
    This video is a homage to the roots of trees. Trees are important for the whole globe and human beings. They have let grow their roots into "Mother Earth". Roots symbolize also the need of humans to be "feet in the mold", carpe diem and enjoy. Video is a 4-parted collage and moving compositions of the beauty of roots. I have taken the shots walking barefooted with my camera in the small woods near my home in Southern Finland.
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    Slobodan Trajković, artist and scholar. Three: On Moving Pictures. (picdove.com)
    Unveiling Face 2nd part, S. Trajković, 2012. Here, we wrap up our presentation of Slobodan Trajković's book Embodiment*, with the last of the three exerpts.
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    Scorched Lands by Emma Roper-evans - film by India Roper-Evans (picdove.com)
    Scorched Lands by Emma Roper-evans - film by India Roper-Evans
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    Breakout Film Festival (picdove.com)
    Internatioal short film festival with monthly contests. Live screening event held in Edinburgh, Scotland.
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    MeganBlack_You Can Breathe (picdove.com)
    installation altar in corona isolation
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    Weird (picdove.com)
    A reaction to the pandemic. For Open Call, Plague and Locusts 2020.
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    Gillian Wearing / 2 into 1 (1997) - YouTube (picdove.com)
    The short video projection 2 into 1 (1997) features a mother and her two sons, one generation lip-synching the dubbed words of the other. It is hypnotically ...
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    In isolatiIn isolation with Jonas Mekas - A dangerous roommate Day #12on with Jonas Mekas - A dangerous roommate Day #12 (picdove.com)
    We are never truly alone. We have our memories that create our desires. Desiring means companion. Always needing something, always having a dialogue with a voice. Usually, it's something you miss or can't have. We say we miss the interaction with people, being able to hug and kiss and feel again. Like babies need to be touched to realize their own bodies. We are afraid that we will forget our own drawing lines that separate us from the people around us. Only blueprints of houses define our boundaries now. Square and defined. No agility, no ability to bruise, no forgetting curves. We are afraid that we will become squares from these concrete boundaries. They protect and enslave. But we forget. How we used to miss this protection. How cruel the outer world used to be. We stay at home. Alone. But we are never truly alone.   Stretch Marks (Short Version) D.D.Teoli Jr. by D.D. Teoli Jr. Isolation by Nimheil Man In Search Of Man (Hindi) Home Hottie Home Movie PA 097842 CTV- House and Home Sight Seeing At Home FLACH HOME FILMS 1 by Flach 1960's HOME MOVIES by WHITBY SHORES Survival Under Atomic Attack by U.S. Office of Civil Defense The Adventures of Ozzie and Harriet - Night School, Ep 131 Everyday Radioactivity O'FallonTV: Cottages for Cancer Kids - O'Fallon, Missouri VD Epidemic by American Broadcasting Paramount Theaters
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    In isolation with Jonas Mekas - Believe the invisible Day #25 (picdove.com)
    Our systems of belief are focused on the invisible. Bloody stigmas, flying metal, humans. We gravitate towards the shadows of things. The unknown and all the projections it absorbs. With fear and love, we are guided to live a nonsensical life. Our motives are scarcely benign. When we believe we belong and that makes us feel powerful. It even makes some people powerful. He who controls belief, he shall inherit the earth. Belief lead us to some of the most amazing fiction. Our eyes aren't capable of such glory. And yet, we cannot imagine something that we haven't experienced. That is the great depression of the human mind. We are emprisoned by combinations, endless, but never brand new. All ideas come from the past and all that belief is, is an idea.
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    In isolation with Jonas Mekas - Guns from leaves Day #19 (picdove.com)
    Futurity is endless, unpredictable and fluctuant. Until we are three-years-old we do not understand what is tomorrow. For the rest of our lives, tomorrow will be the caliber of our lives. We hold its hand and hope it will fall in love with us. And we rest assured it will be the same warm feeling of boredom that it will bring. But changes are there, like a small hole on a jumper that it will take months to notice. Tomorrow sneaks up on us a little every day. We chose not to pay attention to. Tomorrow is neither evil or divine. Tomorrow it's a humbling equalizer for us. Some have it, some not. Call it luck but it has absolutely nothing to do with humanity. Trees may understand it better.
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    'Eat' by Veronyka Lau (picdove.com)
    Eating is political.
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    Covid-19 Incident (picdove.com)
    In a pandemic atmosphere, expressionist and symbolic journey in a black & white world - Dazed and confused…. Video & Musik ©Pierre Ajavon 2020
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    PRIMER FOR A PANDEMIC (picdove.com)
    The view from my window is obscured by mountains of books; many covered with the dust of neglect. The frantic self absorption of my daily life has long silenced their urgent messages. Now the weight of this reading list is crushing. The many volumes that remain unread could not be sounding a louder alarm yet I fear I have answered the call too late. I have nothing but time now. I pour over the pages to find the common thread that led us to this place and seek a way forward.
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    In\Reverse\Off (picdove.com)
    During the self-isolation everyone has an imaginary attempt to play or simulate movement of your personality in different locations. In case of producing basic instinct at the same time you are on the bed and immediately transported to the shore of the bay and back. And this is how our memory with simple wishes plays in reverse direction.
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    LICHTENBERG LAUNDERETTE (picdove.com)
    India Roper-Evans’ project ‘Lichtenberg Launderette’ was filmed at the Lemke Haus in Lichtenberg, designed by Mies van der Rohe, director of the Bauhaus between 1931-33. He built the house for Martha and Karl Lemke in 1932, the couple lived there until 1945 when the Red Army requisitioned the building and used it as a garage. From the 1960s until the fall of the Berlin Wall, the State Security (STASI) of the GDR used the house as a laundry depot. This prompted the idea of making a short black and white film with a soundtrack about them, using this modernist house as a launderette. The history of East Berlin is full of horror stories during their regime, I wanted to make a project about the beautiful side of Lichtenberg, showing this modern, open house on a peaceful lake; parodying the STASI for using it as a launderette. The actual house is the polar opposite of a State Security run place, with open plan spaces, large glass windows and great emphasis on light and transparency. Time to wash out the ugly past and shed light on the beauty and tranquillity that originally inspired it. Lichtenberg Studios Residency February 2020 (ENGLISH VERSION) LAUNDRY SONG: INDELIBLE MIES Doing the Berlin Laundry In Lichtenberg Launderette Telling the Mies van der story In Lichtenberg Launderette From Obersee to the Great Lakes In Lichtenberg Launderette Skin & Bones design he makes In Lichtenberg Launderette Ghostly skyscraper next In Lichtenberg Launderette Tugendhat for the Czechs In Lichtenberg Launderette Then laundered out In Lichtenberg Launderette He leaves his clout In Lichtenberg Launderette As the Stasi rub-a-dub-dub In Lichtenberg Launderette van der Rohe into a tub In Lichtenberg Launderette Yet here he is despite the scour In Lichtenberg launderette To this very same hour (GERMAN VERSION) DAS WÄSCHE-LIED: UNTILGBarer Mies Die Wäsche Berlins waschen Im Lichtenberger Waschsalon Die Mies van der Geschichte erzählen Im Lichtenberger Waschsalon Vom Obersee zu den Great Lakes Im Lichtenberger Waschsalon Haut&Knochen-Design macht er Im Lichtenberger Waschsalon Ein geisterhafter Plattenbau daneben Im Lichtenberger Waschsalon Tugendhat für die Tschechen Im Lichtenberger Waschsalon Dann ausgewaschen Im Lichtenberger Waschsalon Er hinterlässt seinen Einfluss Im Lichtenberger Waschsalon Wie die Stasi - rub-a-dub-dub Im Lichtenberger Waschsalon van der Rohe in einen Zuber! Im Lichtenberger Waschsalon Trotz Reinigung ist er noch hier Im Lichtenberger Waschsalon Bis ganz genau: jetzt Film and Concept: India Roper-Evans Music and Lyrics: Max Sudhues, Emma Roper-Evans, India Roper-Evans Actors: Alberto Sanz, Eduard Artes Cuenca, Francesca de Santis, Max Sudhues Dancer: Vasna Aguilar Assistants: Phaedra Sarpaki, Alberto Sanz Location: Mies van der Rohe Haus, Lichtenberg, Berlin. February 2020
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    Discussing the Boom in Online Exhibitions During the Pandemic (picdove.com)
    While museums and galleries have rushed to offer more and more online experiences as their physical spaces remain closed, we discuss the ones that stand out.
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    Starless and Bible Black and.... (picdove.com)
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    Slobodan Trajković, artist and scholar. One: On Media. (picdove.com)
    Introducing Slobodan Trajković, artist and scholar, who had began his career in the late 1970s and has an extensive practice to this day. He exhibits inte
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    And suddenly - all changes (picdove.com)
    This is a symbolic and experimental video about corona pandemia. When the atmosphere at home suddenly changes.... previous "outlines" get confused
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    Unknown Pleasures (picdove.com)
    ...... an unexpected pleasure and a step into the unknown regarding video production during my isolation, the video title is taken from a Joy Division album and my current backdrop listening for its production. The video explores shape, outline, sign and form, drawn from the landscape and architecture. It considers our place within those spaces and the objects that surround us. There is no imitation or direct reference. The response is subtle, personal, intimate and ritualistic. Relevant at this moment when expressions of identity—personal, national, global are so much a part of cultural conversation - often a complex coded linguistic puzzle.
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    INTERVIEW: Barbara London on the birth of video art | Art | Agenda | Phaidon (picdove.com)
    The founding curator of MoMA’s video program describes how Warhol and Bowie shaped the form, and how gallery staff have had to acquire old skool TV repair man skills to keep early works looking good
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    THE COVID-19 SPRING BREAKERS (SUB ENG) (picdove.com)
    (3'00'' - Milan, Italy) Directed, written & destroyed by Matteo Campulla Two artists leave Milan, a city struggling with the first covid-19 infections, for the week of contemporary art fairs in NY. In the same days the situation in Italy worsens day by day: Milan becomes a red zone, the "lockdown" begins and the flights for the return are canceled. Back just in time in a deserted city, after 13 days of quarantine, here is the direct testimony of isolation and artistic work during the covid-19. http://www.matteocampulla.com
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    Inside Teiji Furuhashi's "Lovers" in Virtual Reality (360 VR Video) | ARTIST STORIES - YouTube (picdove.com)
    "Lovers" is an immersive, room-sized multimedia installation by Japanese artist Teiji Furuhashi. Set foot inside the installation, and listen in on a convers...
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    Video Spaces: Eight Installations | MoMA (picdove.com)
    Exhibition. Jun 21–Sep 12, 1995. Video Spaces: Eight Installations surveyed recent work by nine major video artists working in “environmental video”—three-dimensional video installation or video sculpture. These three-dimensional experiments had “emerged as the most fertile forms of video art,” curator Barbara London argued in the exhibition catalogue. “By releasing the image from a single screen and embedding it in an environment, artists have extended their installations in time and space.” The artists in the show included Bill Viola, Tony Oursler, and Teiji Furuhashi (who passed away from AIDS-related illness one month after the exhibition’s close). Furuhashi’s video work Lovers (1994), an immersive, room-sized multimedia installation featuring projections of Furuhashi and members of his Kyoto-based artist collective Dumb Type, was the artist’s only solo work.
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    Veronica Shimanokskaya – Ephemereye – The Sunday Tribune Online (picdove.com)
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    Unknown dream (picdove.com)
    A surrealistic video about unknown dream. In dreams we deal with our fears and feelings in a symbolic way.
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    Baltica! Part 1 – Video Works – The Sunday Tribune Online (picdove.com)
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    [4k, 60 fps] Arrival of a Train at La Ciotat (The Lumière Brothers, 1896) (picdove.com)
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    Laundry (picdove.com)
    A little home work :)
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    The Power and Limits of Ai Weiwei's Irreverence (picdove.com)
    While his political commitment comes through in many works, it’s hard to square talk of “revolution” with Ai Weiwei’s staggering mainstream US success.
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    Memory and Landscape (picdove.com)
    As Ephemereye is dedicated to moving image, we rarely branch off into talking about shows that are not. The upcoming exhibition of Baltica! group’s Memory and
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    John Smith – 'Playing With the Power of Language' | TateShots (picdove.com)
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    November (picdove.com)
    November A little snow quite grey all over People coming home Lights and shadows It is best to snuggle to your loved one
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    How This 71-Year-Old Video Art Pioneer Became a TikTok Star - The New York Times (picdove.com)
    Cecelia Condit’s unsettling 1983 work “Possibly in Michigan” has found a home among Generation Z.
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    The Women in Red. Female Outsiders of the Italian Appennines, a Short Film – The Sunday Tribune Online (picdove.com)
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    Cosmic Dream #1 (picdove.com)
    Video & Sound Design ©Pierre Ajavon 2019 pierreajavon.com
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    Moving Silently at Victoria Theatre in San Francisco November 10th, 2019 (picdove.com)
    A brief story of the show.  [TICKETS] A tribute to art and technology, early film, and contemporary video art, Moving Silently is a festival of ideas
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    A groundbreaking exhibition finally tells the stories of Native women artists | PBS NewsHour (picdove.com)
    “Hearts of Our People” is the country’s first ever exhibition devoted solely to the works of Native American women. The Minneapolis Institute of Arts assembled the retrospective, which is currently at Nashville's Frist Art Museum and will visit Tulsa and Washington, D.C. in 2020. Jeffrey Brown reports on how the show brings attention to a realm previously “not at all addressed in the art world.”
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    art production by Mladen Stropnik (picdove.com)
    Guys! I am sending my latest art production from May till today. All best from Ljubljana and hope you enjoy it. Mladen
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    OK Go – The One Moment – Official Video (picdove.com)
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    Pipilotti Rist Interview: A Visit to the Studio (picdove.com)
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    Three Transitions - Peter Campus (picdove.com)
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    Bepar (Hop) - Excerpt (DRAFT) (picdove.com)
    Employing the common cultural reference of hopscotch (named "lay lay" in Iran and "joz baazi" in Afghanistan), this video explores the universal struggles that girls face as they grow into adulthood. The character relives the personal and political moments of her past, such as war, marriage, generational trauma, and gendered social expectations. The particularities of their experiences as women of Iranian and Afghan heritage fed the filmmakers’ collaboration, though Labkhand grew up in Iran, and Gazelle in the US, allowing them to create a universal story rooted in specific cultural intersections.
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    Portfolio & more ${contact.Name.First} (picdove.com)
    Soft-launching My Portfolio Feature | Persian Heritage to the World Show | Q&A with with Maryam Farahzadi Stayed tuned for more, Subscribe!
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    Persian Heritage for the World Show (picdove.com)
    September 26th, 20194.00 - Emmanuel United Reformed Church, CambridgeMoving image art screening. Free admission.Persian Heritage for the World is a title that
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    The News Agents – 21st September 2019 by Resonance FM | Mixcloud (picdove.com)
    Experiments in news and arts with Jude Cowan Montague. This week: Chris Simpson from the Passaggiatina residencies in Atina, Lazio discusses four years of making and curating art in the Apennines. Plus Italian film scores and composers; and selections from the Simon King Collection of vinyl. For more information see thenewsagents.blogspot.co.uk.
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    The News Agents – 14th September 2019 by Resonance FM | Mixcloud (picdove.com)
    Experiments in news and arts with Jude Cowan Montague. This week:​ Passaggiatina 2019. The annual art residency in the Apennines reports back on creativity and cultural interaction of this summer. With Chris Simpson, Lisa McKendrick, Riitta Hakkarainen and other artists. This year the theme of the goddess Mefiti became an unofficial theme, the ancient pagan worship of the mountains of Southern Italy and the vulcanesque deity of nearby Pompeii. A highlight of this year was a trip to Canneto to the shrine of the Black Madonna to the source of the River Melfa, named after the forgotten goddess. For more information see thenewsagents.blogspot.co.uk.
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    How blockchain technology could revolutionize the art market | PBS NewsHour (picdove.com)
    The technology underpinning blockchain is a powerful decentralizing network architecture that could revolutionize many industries. Now, some artists are leveraging blockchain to help guarantee the authenticity of their work -- and ensure that they get paid. Miles O’Brien reports on how digital documentation is putting power back into artists' hands, even when no tangible object exists.
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    Shirin Neshat | Shirin on Shirin (picdove.com)
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    Trying to become one with nature (picdove.com)
    A surrealistic video about trying to become one with nature.
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    What Does Umberto Eco Think About Art in the Internet Age? (picdove.com)
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    AYABAMBI (picdove.com)
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    Matteo Campulla - Self Portrait (2019) (picdove.com)
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    Miranda July: 'I'm always disappointing my dad politically' | Film | The Guardian (picdove.com)
    Artist discusses whether her immersive stage show New Society worked, how it reflected US politics and why she had to be ‘hard-assed’
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    'Is Your Thotbot Glitched?' You Might Already Be In Rebecca Kopycinski's Dystopian Extravaganza | The ARTery (picdove.com)
    The show is a culmination of an artistic body of work bridging Rebecca Kopycinski's interests in filmmaking, music and live performance.
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    Douglas Gordon - Play Dead; Real Time (picdove.com)
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    Douglas Gordon, Pretty much every film and video work fro… (picdove.com)
    San Francisco Museum of Modern Art
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    Realism-Surrealism (picdove.com)
    An experimental short film about realism/surrealism. What makes a realistic video surrealistic?
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    July 20 at 4 PM PDT Moving Silently 2019 (picdove.com)
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    Ephemereye - Join us on the 20th of July at 4 PM PDT and... | Facebook (picdove.com)
    Join us on the 20th of July at 4 PM PDT and share! VIDEO ART SHORTS 'MOVING SILENTLY' With live music performing original scores by RICHARD MARRIOTT & ENSEMBLE Richard Marriott - Winds &...
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    Venice, London... Vallejo! (picdove.com)
    Preparing to our Moving Silently show at the Empress in Vallejo, in sunny California | The artists for Persian Heritage to the World are announced! | Opinion: Trends or Metamorphosis? Stayed tuned for more, Subscribe!
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    The Case for Video Art (picdove.com)
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    Where Arts Meet | Video art | ephemereye (picdove.com)
    A tribute to art and technology, early film, and contemporary video art, Moving Silently is a festival of ideas. How does technology assist in giving birth to
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    The News Agents – 6th July 2019 by Resonance FM | Mixcloud (picdove.com)
    Listen to The News Agents – 6th July 2019 by Resonance FM
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    Trying to stand on tiptoes in the sky and on the flowers (picdove.com)
    A surrealistic video poem
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    Tuntematon-Unknown (picdove.com)
    A video poem
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    Dara Birnbaum on her life and art - Artforum International (picdove.com)
    New York–based video artist Dara Birnbaum talks about her life and work—from her beginnings as an architecture student at Carnegie Mellon and her formative years in Berkeley, California, to her first encounter with video art in a storefront in Florence and her return to New York, where she fell in with a community of like-minded artists.
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    Kevin Atherton: In Two Minds (picdove.com)
    KEVIN ATHERTON IN TWO MINDS 1978-2011 Performing live at Seeing in the Dark October 2011 (Extract) In Two Minds is a two monitor installation first exhibited in the Serpentine Gallery, London in 1978. This work consisted of Atherton on one video monitor asking questions of himself on the other monitor. The questions, typically of that time, largely address the nature of the piece itself. At the time of making the piece he had no intention of using it beyond the Serpentine show, the rough and ready state of the black and white tapes attest to this. However, the ‘open’ or ‘incomplete’ nature of the work allows him to ‘re-enter’ it and create a new live version, where as a 60 year old man he can answer questions put to him by his 27 year old former self. Seeing in the Dark is an exhibition and series of events inspired by artist run groups from the 1970s and ‘80s, such as Newcastle’s Ayton Basement and Basement Group, and London’s 2B Butler’s Wharf. These groups were formed by artists with diverse practices (music, performance, film and video) inhabiting vacant industrial spaces to produce opportunistic and eclectic events. 19 Oct - 12 Nov 2011
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    Arts Sector Contributed $763.6 Billion to U.S. Economy—More Than Agriculture or Transportation - Artsy (picdove.com)
    The data comes as the NEA is facing severe cuts under U.S. President Donald Trump’s proposed budget.
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    Hidden Bar Returns to Art Basel, With a Bounty of Video Art, Ravioli -ARTnews (picdove.com)
    Works by more than 50 artists are screening at the tucked-away boîte. Read More
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    Page Not Found | Open Culture Open Culture (picdove.com)
    Discover thousands of free online courses, audio books, movies, textbooks, eBooks, language lessons, and more.
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    The Humanism (picdove.com)
    a piece for peace
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    Anish Kapoor: Splashing Bloody Wombs And One Penis - Jude Cowan Montague - Artlyst (picdove.com)
    I can't see an Anish Kapoor exhibition at the moment. I can't talk about Anish Kapoor at the moment. Not without the first thing on my mind being that infamous black paint copyright purchase.
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    Showtime in Venice, and more (picdove.com)
    A short report from the 58th Venice Biennale. Preparing to our Moving Silently show, and... the artist call deadline is coming up! Stayed tuned for more, Subscribe!
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    Venice 2019: Altering Perspective | Video art | ephemereye (picdove.com)
    Manifesto of Presentism, art action. Piazza di San Marco V.Shimanovskaya. 9 May, 2019.One of the events of the 2019 Venice Biennale went largely unnoticed. Apa
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    The Quietus | Features | Craft/Work | Honey, I Shrunk The Art: Miniscule At Venice (picdove.com)
    An exhibition of very, very small art works at Venice includes work by Danny Pockets, Liz Sheridan, Ian Thompson, Cathy Gale, Gina Southgate, Gavin Turk, and others
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    Biennale Arte 2019 - 06. SHADOWS (picdove.com)
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    Iranian works will abound at the Venice Biennale despite US sanctions | The Art Newspaper (picdove.com)
    Complications around shipping and insurance have not stopped artists and curators from the country to make their presence felt at this year's edition
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    (picdove.com)
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    Kävelen vetten päällä - Walking on the water (picdove.com)
    A surrealistic video poem.
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    58th Venice Biennale Collateral Events Guide - Artlyst - Artlyst (picdove.com)
    Outside of the Giardini and Arsenale, the main venues for the 58th Venice Biennale, there is an overwhelming abundance of other exhibitions and events. From the historic to the contemporary and cutting edge there is something for everyone. To help you select which exhibitions are worth a visit, Artlyst is publishing its recommendations.
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    Moises Levy – Fine Art Photographer (picdove.com)
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    WATERWALL ... Chin Chin Wall of Art Projection 2017 (picdove.com)
    Experimental Projection by Jutta Pryor Higson Lane, Melbourne
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    ‘A Very Fragile, Delicate Sound’: Preview Art21’s Profile of Pioneering Sound Artist Susan Philipsz in Berlin -ARTnews (picdove.com)
    The artist is known for her nuanced pieces about how audio material relates to history, and how it can affect the psyche. Read More
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    International Prize for Emerging Artist of the Year • Luxembourg Art Prize (picdove.com)
    International prize awarded to an artist regardless of amateur or professional status, age, nationality and country of residence. The finalists will exhibit their work at the Pinacotheque in Luxembourg. The winner will receive €50,000
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    The Digital Art Market Heats Up - WSJ (picdove.com)
    Prices are rising, but buyers may not always know the risks—including technological obsolescence.
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    Video Art & Experimental Film Festival (VAEFF) - NYC- videoart.net (picdove.com)
    Video Art & Experimental Film Festival (VAEFF) introduces New York audiences to the most arresting video art and experimental film. - videoart.net
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    Video Art & Experimental Film Festival (VAEFF) - NYC- videoart.net (picdove.com)
    Video Art & Experimental Film Festival (VAEFF) introduces New York audiences to the most arresting video art and experimental film. - videoart.net
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    Festival information (picdove.com)
    - Deadline: 01 Apr 2019 - Prizes: 0$ - Short and Feature Films: The Call for entries will close at midnight in April, 1st, 2019, local Mexican time. CATEGORIES OF COMPETITION. The following categories have been established: SHORT FILM FICTION – SHORT FILM EXPERIMENTAL – SHORT ANIMATION – SHORT DOCUMENTARY – Shorts filmed in any film, video or digital format of up to 30 minutes duration (including credits) that completed production after January 1st, 2018 are eligible. FEATURE LENGTH DOCUMENTARY. Documentaries between 30 and 120 minutes of duration, filmed in any film or digital format, that completed production after January 1st, 2018 are eligible. FEATURE FILM FICTION. Feature films by Mexican and International directors in either film or digital formats that have not yet acquired distribution in commercial theaters within Mexico and that completed production after January 1st, 2018 are eligible. Films must be presented in Spanish or English, or with subtitles in either of these two langua
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    Session 1 (picdove.com)
    This is a surrealistic video about a therapy session. In psychotherapy you deal with your dreams, fears, problems, hopes and emotions.
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    Session 2 (picdove.com)
    This is the second video in my video serie Sessions, which are surrealistic/symbolic videos about therapy sessions. In psychotherapy you deal with your dreams, fears, problems, hopes and emotions.
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    Onion City Film Festival (picdove.com)
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    The News Agents - 23rd March 2019 by Resonance FM | Mixcloud (picdove.com)
    Experiments in news and arts with Jude Cowan Montague. This week: Storyteller Laura Sampson shares her particular, experienced insight into the traditional Japanese art of Noh and related performance. She shares her experience as a young woman from London encountering and taking part in what is said to be the oldest major theatre art. Also, she looks at the current storytelling culture of London and the UK. Plus short performed stories on spring and its changeable weather together with live improvised music. For more information see thenewsagents.blogspot.co.uk
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    Talking about Pseudo-Art – Dimitrios Oikonomou – Medium (picdove.com)
    My thoughts after an Artistic Exhibition in London
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    It's spring again... (picdove.com)
    But we are looking to our Summer Event of the Year: Moving Silently at the Empress Theatre, Vallejo Silent Film Festival.. Stayed tuned for the news Subscribe!
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    Netflix’s Participation at the Berlin Film Festival Is Riling Up Cinema (picdove.com)
    The streaming giant has set its sights on prestige film festivals. But as the controversy surrounding its entry Elisa y Marcela prove, it’s going to be a bumpy road.
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    Alina Gavrielatos, la cámara es un pincel (picdove.com)
    Artista visual y cineasta, Alina Gavrielatos nació en Toronto, Canadá, pero las raíces de su familia están en Grecia. Emigró a Londres, donde decidió...
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    Empire II at MACO, Oaxaca – The Sunday Tribune Online (picdove.com)
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    Women's Expanded Novel - 8th March 2019 by Resonance FM | Mixcloud (picdove.com)
    Emma Roper-Evans, Mia Kukathasan and Jude Cowan Montague explore points where the novel meets sound art and share work in progress.
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    The Ultimate Video Art Retreat - The New York Times (picdove.com)
    It took 18 years for a collector couple to build a state-of-the-art home for their one-of-a-kind collection, with the architects Herzog & de Meuron. Now they can slow down and watch.
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    Moving Silently 2019 | Video art | ephemereye (picdove.com)
    Our show Moving Silently that premiered at The Essanay Silent Film Museum in Fremont, CA is being transferred to The Empress theatre in Vallejo, where it will
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    Empire II Video Installation in Oaxaca | Video art | ephemereye (picdove.com)
    Taking part in EMPIRE II multi-artist video project curated by Vanya Balogh was a two year journey through work, cities, and unexpected encounters. The ex
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    Art and Technology | Video art | ephemereye (picdove.com)
    According to Sophie Atkinson writing for Highsnobiety.com "Video art is often considered impenetrably abstract and far beyond the comprehension of everyda
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    Instagram post by Ephemereye • Sep 8, 2018 at 6:22pm UTC (picdove.com)
    4 Likes, 0 Comments - Ephemereye (@ephemereye) on Instagram
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    Empire II Video Installation Travels to Mexico for Museum Show - Artlyst (picdove.com)
    Empire II finally lands in Mexico, for an expansive museum show at Maco, Oaxaca, before heading to its final screening destination at 58th Venice Biennale.
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    Abre Empire II talleres en el MACO | nvinoticias.com (picdove.com)
    Empire II, Después de la extinción es una exposión colectiva que no prevé las consecuencias del ocaso de las incontables especies, sino que señala...
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    Hoy en el MACO inaugurarán la exposición y videos de Empire II After Extinction – reflexión en línea (picdove.com)
    La directora del MACO, Cecilia Meingûer, informó que hoy a las 19 horas inaugurarán la exposición y videos de EMPIRE II After Extinction conformada por más de 136 obras y 115 videos de la 57ava Bie…
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    Burning Bridges (picdove.com)
    Emma Roper-Evans & Chris Simpson poetry performance at https://www.artlyst.com/whats-on-archive/four-legs-good-two-legs-bad-chinese-new-year-pig-2019/
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    Video art takes pride of place in new Melbourne restaurant Citta (picdove.com)
    Restaurateur Ronnie Di Stasio has added a new dimension to his renowned passion for Australian art at his recently opened CBD eatery.
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    Pierre Ajavon, Moonbeam I video art (picdove.com)
    "Moonbeam" is a study of light and shadow of the moon, I used video to create moving and evolving paintings through strange lunar refections". The electronic music is also composed to match the visuals. Video & Sound Design ©Pierre Ajavon 2018 pierreajavon.com
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    Merce Cunningham, Clouds and Screens | LACMA (picdove.com)
    During his prolific 60-year career, choreographer Merce Cunningham (1919–2009) revolutionized dance by challenging every aspect of the form. Perhaps most radical was his idea that all the elements of a dance—movement, music, costumes, and decor—could be created independently of one another, coming together only during the “common time” of a performance. Along with his life partner, composer John Cage (1912–1992), Cunningham explored this freeing notion by initiating cross-disciplinary collaborations with dozens of artists.
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    In a Perplexing Pairing, Michelangelo Overwhelms Bill Viola (picdove.com)
    While Michelangelo’s sketches are, like human existence, full of contradictions, Viola’s work relies primarily on empty spectacles.
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    Christian Marclay, The Clock (picdove.com)
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    Images in motion: The rise of video art - News - Art Fund (picdove.com)
    As the Art Fund launches its Moving Image Fund to support the creation and acquisition of works on film, video and other ‘time-based’ digital formats, Oliver Bennett explores this most mutable of art forms.
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    RPCALNYSMSPHB (picdove.com)
    The Full HD version (2:00 min) of this video has been exhibited at the exhibition Art Numérique 2, Abstract Project #76, 2018 in Paris, France
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    MCPINSVPSFMD (picdove.com)
    The Full version (2:00 min) of this video has been shown at Papay Gyro Nights Art Festival 2017 in Bergen
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    YGT - Sinking Ship (picdove.com)
    By Sam Mason. With support from Ministry of Culture of the Republic of Slovenia and Celtra. Music by YGT. Pre-order the album digitally or on 12” black vinyl: http://smarturl.it/sinking-ship http://yourgaythoughts.com/ From the forthcoming album Sinking Ship, out February 15th on Youngbloods & King Deluxe. Written & produced by Gregor Kocijančič & Fejzo Košir Additional vocals by Luka Uršič - Kalu Trombone by Žiga Murko Mixed by Persian Empire Mastered by Steve Kitch 3D scanning: Telemark fylkeskommune Calin Suteu R0m1R Miguel Bandera Geoffrey Marchal Morbase | Museu Virtual
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    Videoart at Midnight (picdove.com)
    an artists' cinema project by Olaf Stüber and Ivo Wessel
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    Self Potrait -Unmelting . . #selfportrait #melting... - ken_solomon_studio (picdove.com)
    Self Potrait -Unmelting . . #selfportrait #melting #unmelting #kensolomon #kms #kms135 #me #painting #ice #art #arts...
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    Video Art - Three Women (picdove.com)
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    Prof.Doc. 2016 (fictional reality. check.) – Let's See Here… (picdove.com)
    Viva exams and the final show. Over. List of works: Hail (oil on canvas, 200x298cm), It’s a true story (multimedia installation) Hail. Digital video (2015) Part of the Prof.Doc.Showcase Hail …
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    The Art History of the Selfie | The Art Assignment | KQED (picdove.com)
    Artists have been taking selfies since the dawn of photography.
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    Katja Loher Video Art (picdove.com)
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    Exhibition at Fowler Museum puts spotlight on video art from Africa | UCLA (picdove.com)
    “Inheritance: Recent Video Art from Africa,” features the work of three artists and opens Feb. 17 and will remain on view through July 28.
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    In The Snow (picdove.com)
    Filming and walking in the snow.
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    How Video Art and Blockchain is Changing the Art Market (picdove.com)
    We explore the relatively slow market for video art, and how blockchain is beginning to change it
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    The Quietus | Features | Craft/Work | Free, Liquid, & Soft: Laura Phillips’ Expanded Cinema (picdove.com)
    Jude Cowan Montague explores the work of Laura Phillips of Bristol Experimental and Expanded Film (BEEF)
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    The ‘Dead Girl’ Aesthetic & Ballet Online | Notes on Metamodernism (picdove.com)
    The popularity of ballet on the internet is one that often (but not always) relies on the idea of ballet as a static aesthetic rather than as a performance. And to be more specific, as a distinctly ‘feminine’ aesthetic. As both a writer about ballet and a researcher working within the fields of Adaptation and gender studies, I tend to look at how certain ways of thinking from one area I work in inform the other. Adaptation studies is essentially the study of how certain works are adapted into different media, in different times and cultures, and why. In the past few years, I’ve increasingly felt that the internet sharpens how and why certain narratives, images and ideas are adapted, and how that reflects and shapes our culture. One of the trends that has struck me, perhaps due to my natural inclination towards ballet, is the aestheticisation of ballet as a static imagery that is ideologically bound up with what I call the ‘dead girl’ aesthetic. Of course, not all online imagery
    Comment

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      (b) suggests sponsorship of or by, or association with, any third party; [or]
      (c) competes with or is detrimental to the licensor].
  8. Indemnification. Licensor shall indemnify, defend and hold harmless Company, and its respective officers, directors, employees, agents, affiliates, successors and assigns, from and against any claims, judgments, damages, liabilities, settlements, losses, costs and expenses, including attorneys’ fees and disbursements arising from or relating to any breach by Licensor of its representations, warranties or other obligations hereunder.
  9. Term and Termination
    1. [Term. This Agreement is effective from the Effective Date of signing until terminated on written notice by either party in accordance with the terms of this agreement] ([such period, as may be renewed in accordance with the following sentence,] the ”Term”). The parties may renew this Agreement for additional one year periods, by written agreement[, which may include email].]
    2. Termination.
      (a) Company may terminate this Agreement at any time without cause, and without incurring any additional obligation, liability, or penalty, by providing at least [NUMBER] days’ prior written notice to Licensor.
      (b) Either party may terminate this Agreement on written notice to the other party if the other party materially breaches this Agreement and fails to cure such breach within [NUMBER] days after receiving written notice thereof
    3. Effect of Termination. Upon the expiration or termination of this Agreement[: (a)] all rights licensed under this Agreement revert to Licensor and Company shall within [NUMBER] days after such expiration or termination (”Wind-Down Period”) cause to be inactivated and erased all digital copies of the Image[s] in its control and possession and return or, at Licensor’s written request, destroy, any print or other tangible copies of the images, provided, however, that (i) Company may retain one archived copy of [each of] the Image[s] solely for purposes of responding to claims or inquiries relating to the Image[s] and (ii) during the Wind-Down Period, Company may continue to commercially exploit the Image[s] in accordance with the terms and conditions of its license hereunder.
  10. Miscellaneous.
    1. Relationship of the Parties. The relationship between the Licensor and Company is that of independent contractors. Nothing contained in this Agreement shall be construed as creating any agency, partnership, joint venture, or other form of joint enterprise, employment, or fiduciary relationship between the parties, and neither party shall have authority to contract for or bind the other party in any manner whatsoever.
    2. Assignment. This Agreement is personal to Licensor. Licensor shall not assign or otherwise transfer any of its rights, or delegate, subcontract, or otherwise transfer any of its obligations or performance, under this Agreement. Any purported assignment, delegation, or transfer in violation of this Section 10.2 is void. Company may freely assign or otherwise transfer all or any of its rights, or delegate or otherwise transfer all or any of its obligations or performance, under this Agreement. This Agreement is binding upon and inures to the benefit of the parties hereto and their respective permitted successors and assigns.
    3. Amendment and Modification; Waiver. This Agreement may only be amended, modified, or supplemented by an agreement in writing signed by the parties. No waiver by either party of any of the provisions hereof shall be effective unless expressly set forth in writing signed by the waiving party, nor shall the waiver of any single or partial exercise of any right, remedy, power, or privilege hereunder preclude any other or further exercise thereof or the exercise of any other right, remedy, power, or privilege.
    4. Severability. If any part of this Agreement is invalid, illegal, or unenforceable in any jurisdiction it shall not affect any other part of this Agreement or invalidate or render unenforceable such part in any other jurisdiction.
    5. Governing Law; Submission to Jurisdiction. This Agreement shall be governed by and construed in accordance with the internal laws of the State of California without giving effect to any choice or conflict of law provision or rule. Each party irrevocably submits to the exclusive jurisdiction of the federal and state courts United States or the courts of the State of California in any legal suit, action or proceeding arising out of or related to this Agreement or any Image[s].
    6. Entire Agreement. This Agreement constitutes the entire agreement of the parties with respect to the subject matter contained herein, and supersedes all prior and contemporaneous understandings and agreements, whether written or oral, with respect to such subject matter.
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